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  PER MUSI - Issue 17 - Summary

Full Publication
  1. “Sonorous concerts in Italian style”: the new Hispanic orchestral music in the beginnings of its history

   Evguenia Roubina
Tradução de Paulo Castagna
  2. A look at musical activities in Rio de Janeiro theaters in the late eighteenth century and early nineteenth century: the performance of the singer Joaquina Lapinha

Alexandra van Leeuwen
Edmundo Hora
  3. Old wet nurses in Seventeenth Century Italian Opera: a link between the spoken and the musical theatre

Ligiana Costa
 

4. Origins of the German baroque opera and the Goose Market Theatre in Hamburg in the seventeenth and eighteenth centuries

Lucia Becker Carpena
  5. First Italian treatises from the seventeenth century about thorough-bass: a comparative analysis

 Stella Almeida Rosa
  6. Rhetoric and musical elaboration in the baroque period: conditions and problems of the use of rhetorical categories in the critical discourse

Maya Suemi Lemos

Abstract >

Full Article >Artigo Completo

  7. Delectare, movere et docere: rhetoric and education in the Baroque

Marina Massimi

Abstract >

Full Article >Artigo Completo

  8. Agudeza and Stravaganza: oblique dialog between music and literature from the seventeenth century

Thiago César Viana Lopes Saltarelli

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Full Article >Artigo Completo

  9. Musical analysis and theory under the rhetorical influx during the Baroque

Júlio Versolato
Dorotea Machado Kerr

Abstract >

Full Article >Artigo Completo



 
Advisory Board  and Scientific Board
(Issue 17)

Founder and Scientific Editor
Fausto Borém (UFMG, Belo Horizonte)

International Advisory Board

Aaron Williamon (Royal College of Music, Londres, Inglaterra)
Anthony Seeger (University of California, Los Angeles, EUA)
Eric Clarke (Oxford University, Oxford, Inglaterra)
Denise Pelusch (University of Colorado, Boulder, EUA)
Florian Pertzborn (Instituto Politécnico do Porto, Porto, Portugal)
Jean-Jacques Nattiez (Université de Montreal, Montreal, Canadá)
João Pardal Barreiros (Universidade de Lisboa, Lisboa, Portugal)
Jose Bowen (Southern Methodist University, Dallas, EUA)
Lewis Nielson (Oberlin Conservatory, Oberlin, EUA)
Lucy Green (University of London, Institute of Education, London, Inglaterra)
Marc Leman (Ghent University, Ghent, Bélgica)
Melanie Plesch (Univ. Católica, Univ. de Buenos Aires, Buenos Aires, Argentina)
Nicholas Cook (Royal Holloway, Eghan, Inglaterra)
Silvina Mansilla (Universidad Católica, Buenos Aires, Argentina)
Xosé Crisanto Gándara (Universidade da Coruña, Corunha, Espanha)
Thomas Garcia (Miami University, Miami, EUA)

National Advisory Board

André Cavazotti (UFMG, Belo Horizonte)
Cecília Cavalieri (UFMG, Belo Horizonte)
Cristina Capparelli Gerling (UFGRS, Porto Alegre)
Diana Santiago (UFBA, Salvador)
Fernando Iazetta (USP, São Paulo)
José Vianey dos Santos (UFPB, João Pessoa)
Lucia Barrenechea (UNIRIO, Rio de Janeiro)
Márcia Taborda (UFSJR, São João del Rey)
Maurício Alves Loureiro (UFMG, Belo Horizonte)
Maurílio Nunes Vieira (UFMG, Belo Horizonte)
Norton Dudeque (UFPR, Curitiba)
Rafael dos Santos (UNICAMP, Campinas)
Rosane Cardoso de Araújo (UFPR, Curitiba)
Salomea Gandelman (UNIRIO, Rio de Janeiro)
Sônia Ray (UFG, Goiânia)
Vanda Freire (UFRJ, Rio de Janeiro)

Scientific Board

Acácio Tadeu de Camargo Piedade (UDESC, Florianópolis)
Adriana Giarola Kayama (UNICAMP, Campinas)
André Cardoso (UFRJ, Rio de Janeiro)
Ângelo Dias (UFG, Goiânia)
Arnon Sávio (UEMG, Belo Horizonte)
Beatriz Salles (UNB, Brasília)
Cíntia Macedo Albrecht (UNICAMP, Campinas)
Eduardo Augusto Östergren (UNICAMP, Campinas)
Fabiano Araújo (FAMES, Vitória)
Flávio Apro (UNESP, São Paulo)
Guilherme Menezes Lage (FUMEC, Belo Horizonte)
José Augusto Mannis (UNICAMP, Campinas)
Lea Ligia Soares (EMBAP, Curitiba)
Lincoln Andrade (UFMG, Belo Horizonte)
Luciana Del Ben (UFRGS, Porto Alegre)
Manoel Câmara Rasslan (UFMTS, Campo Grande)
Pablo Sotuyo (UFBA, Salvador)
Patrícia Furst Santiago (UFMG, Belo Horizonte)
Vladimir Silva (UFPI, Teresina)

 
   


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